When the film started I remembered Terrence Malick’s “Tree
of Life”. Those scenes from a silent rural area. You can hear the sounds of
wild animals crying the song of liberty. Man, on the other side, is bound by
traditions he invented to imprison himself. Johan is the father of the family
in the film “Stellet Licht” and he is leading the praying. His wife Esther is
following the prayer so religiously. Their children are obeying the rules. The
younger the children are, the freer they are. The youngest was yawning. Yawning
was the most realistic reaction to that Mennonite tradition. Sooner in the film
we got the notion that Esther is that kind of a woman upon which stands a whole
family. The woman who not only is a womb to receive the fertile atoms and let
them be, but also, the woman who can crop. The woman who knows that her man is
loving another woman.
Esther is a name that reminds me of another woman, Asmer, in
that novel of Samir Nakkash named “Shlomo the Kurdish, Me, and Time”. Shlomo
was a religious Jew who was spoiled enough to let his wife Asmer brings him
that young woman he had a lust to. Esther, like Asmer, is a kind of woman who
sacrifices and lives like a liver do.
Juhan develops a lust to Marianne. A beautiful name. A name
similar to that of Marina in “To The Wonder” of Terrence Malick. A young wife
who is loved in Malick’s move by a priest. In Carlos Reygadas’s movie, “Stellet
Licht”, which means “Silent Light”, and talks in a strange language for me
named PLAUTDIETSCH, Marrianne is little wise and says to Juhan after they
practice sex for a while that: “Peace surpasses love.”
What I prefer is that Esther standing strong next to her children in the field, and that dark tree getting wetter and wetter under the rain after the sun has set.
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